Template:VERBSPerformanceBelt

This is the "VERBSPerformanceBelt" template to list all the actions for belts that are part of the "Performance Gear Set", a specific variant of the "Adventure Clothing Set" with varying function based on Performance skill.

Belts using this template have the following study:
This item is a part of an "Adventure Clothing Set" themed around the Performance skill. Wear more items of the set and grow your performance skill to change some of the behavior!
You can RUB, TURN, POKE, RAISE, PUSH, PULL, WEAR, and REMOVE it.

It should be called in the following format:

{{VERBSPerformanceBelt|adjective|noun}}

Edit the page to see the template text.

Verb	Actions
WEAR (Low Performance, nothing attached)	First Person: Fumbling in haste, you wrap a verbsperformancebelt about your waist, taking as much care as the moment allows to situate it.
No messaging for second person.
Third Person: Fumbling in haste, <Player> wraps a verbsperformancebelt about <his/her> waist, taking as much care as the moment allows to situate it.
WEAR (Low Performance, with items attached)	First Person: Fumbling in haste, you wrap a verbsperformancebelt about your waist, taking as much care as the moment allows to situate <attached items>.
No messaging for second person.
Third Person: Fumbling in haste, <Player> wraps a verbsperformancebelt about <his/her> waist, taking as much care as the moment allows to situate <attached items>.
WEAR (High Performance, nothing attached)	First Person: With ease and control, you wrap a verbsperformancebelt about your waist, taking as much care as the moment allows to situate it.
No messaging for second person.
Third Person: With ease and control, <Player> wraps a verbsperformancebelt about <his/her> waist, taking as much care as the moment allows to situate it.
WEAR (High Performance, with items attached)	First Person: With ease and control, you wrap a verbsperformancebelt about your waist, taking as much care as the moment allows to situate <attached items>.
No messaging for second person.
Third Person: With ease and control, <Player> wraps a verbsperformancebelt about <his/her> waist, taking as much care as the moment allows to situate <attached items>.
RUB	First Person: You <haltingly/confidently> drum your fingers along the surface of a verbsperformancebelt, eliciting <simplistically/amazingly> rhythmic jingles and jangles from the odds and ends attached to the belt.
No messaging for second person.
Third Person: <Player> drums <his/her> fingers along the surface of a verbsperformancebelt, eliciting <simplistically/amazingly> rhythmic jingles and jangles from the odds and ends attached to the belt.
TURN (Nothing attached)	First Person: Being thoroughly bored, you casually tug on a verbsperformancebelt and inspect it length by length.
No messaging for second person.
Third Person: <Player> casually tugs on a verbsperformancebelt and inspects it length by length, seeming thoroughly bored and oblivious to <his/her> surroundings.
TURN (With item attached)	First Person: Being thoroughly bored, you casually tug on a verbsperformancebelt and inspect it length by length. A <attached item> sways lazily side to side in response.
No messaging for second person.
Third Person: <Player> casually tugs on a verbsperformancebelt and inspects it length by length, seeming thoroughly bored and oblivious to <his/her> surroundings. A <attached item> sways lazily side to side in response.
TURN (Nothing attached, holding an Instrument/Juggling Item)	First Person: With perfect timing and considerable coordination, you quickly toss <held item> into the air and tug on your leather belt, turning it for a quick inspection. With not a moment to spare, the leather belt is returned to its rightful place, and you catch the <held item>.
No messaging for second person.
Third Person: With perfect timing and considerable coordination, <Player> quickly tosses <held item> into the air and tugs on <his/her> leather belt, turning it for a quick inspection. With not a moment to spare, the leather belt returns to its rightful place, and <Player> catches the <held item>.
TURN (With item attached, holding an Instrument/Juggling Item)	First Person: With perfect timing and considerable coordination, you quickly toss <held item> into the air and tug on your leather belt, turning it for a quick inspection. A <belt worn item> sways chaotically side to side in response. With not a moment to spare, the leather belt is returned to its rightful place, and you catch the <held item>.
No messaging for second person.
Third Person: With perfect timing and considerable coordination, <Player> quickly tosses <held item> into the air and tugs on <his/her> leather belt, turning it for a quick inspection. A <belt worn item> sways chaotically side to side in response. With not a moment to spare, the leather belt returns to its rightful place, and <Player> catches the <held item>.
POKE	First Person: After removing a verbsperformancebelt from your waist, you form it into a series of ever smaller loops and temporarily hang them from a conveniently abandoned branch nearby. With <slow and cautious/smooth, skillful> movements that only a contortionist could accomplish, you feed yourself through each of the rings with each requiring different bends and stretches to successfully move through.
No messaging for second person.
Third Person: <Player> removes a verbsperformancebelt from <his/her> waist and forms it into a series of ever smaller loops and temporarily hangs them from a conveniently abandoned branch nearby. With <slow and cautious/smooth, skillful> movements that only a contortionist could accomplish, <Player> feeds <himself/herself> through each of the rings with each requiring different bends and stretches to successfully move through.
POKE (With Performance Pants)	First Person: Removing a verbsperformancebelt from your <pants>, you form it into a series of ever smaller loops and temporarily hang them from a conveniently abandoned branch nearby. With <slow and cautious/smooth, skillful> movements that only a contortionist could accomplish, you feed yourself through each of the rings with each requiring different bends and stretches to successfully move through.
No messaging for second person.
Third Person: Removing a verbsperformancebelt from <his/her> <pants>, <Player> forms it into a series of ever smaller loops and temporarily hangs them from a conveniently abandoned branch nearby. With <slow and cautious/smooth, skillful> movements that only a contortionist could accomplish, <Player> feeds <himself/herself> through each of the rings with each requiring different bends and stretches to successfully move through.
RAISE	First Person: Resting one hand on your leather belt and stomping the floor, you extend your other arm and strike the air repeatedly for emphasis.
No messaging for second person.
Third Person: Resting one hand on <his/her> leather belt and stomping the floor, <Player> extends <his/her> other arm and strikes the air repeatedly for emphasis.
RAISE (With Performance Footwear)	First Person: Resting one hand on your leather belt and stomping your <footwear> on the floor, you extend your other arm and strike the air repeatedly for emphasis.
No messaging for second person.
Third Person: Resting one hand on <his/her> leather belt and stomping <his/her> <footwear> on the floor, <Player> extends <his/her> other arm and strikes the air repeatedly for emphasis.
PUSH	First Person: <In a mess of chaotic flailing/With subtly dramatic theatrics>, you push your leather belt lower on your hips for a better fit.
No messaging for second person.
Third Person: <In a mess of chaotic flailing/With subtly dramatic theatrics>, <Player> pushes <his/her> leather belt lower on <his/her> hips for a better fit.
PUSH (Holding an Instrument/Juggling Item)	First Person: <In a mess of chaotic flailing/With subtly dramatic theatrics>, you knock aside your <item> as you push your leather belt lower on your hips for a better fit.
No messaging for second person.
Third Person: <In a mess of chaotic flailing/With subtly dramatic theatrics>, <Player> knocks aside <his/her> <item> as <Player> pushes <his/her> leather belt lower on <his/her> hips for a better fit.
PUSH (With Performance Pants)	First Person: <In a mess of chaotic flailing/With subtly dramatic theatrics>, you push your leather belt lower on your hips -- almost too low and nearly taking a <pants> with it! -- before adjusting it comfortably into place.
No messaging for second person.
Third Person: <In a mess of chaotic flailing/With subtly dramatic theatrics>, <Player> pushes <his/her> leather belt lower on <his/her> hips -- almost too low and nearly taking a <pants> with it! -- before adjusting it comfortably into place.
PUSH (With Performance Pants, and holding an Instrument/Juggling Item)	First Person: <In a mess of chaotic flailing/With subtly dramatic theatrics>, you you knock aside your flute as you push your leather belt lower on your hips -- almost too low and nearly taking a <pants> with it! -- before adjusting it comfortably into place.
No messaging for second person.
Third Person: <In a mess of chaotic flailing/With subtly dramatic theatrics>, <Player> knocks aside <his/her> flute as <he/she> pushes <his/her> leather belt lower on <his/her> hips -- almost too low and nearly taking a <pants> with it! -- before adjusting it comfortably into place.
PULL	First Person: You yank a verbsperformancebelt from your waist and form it into a makeshift lasso that you <carefully/deftly> twirl above your head. When the performance is done, you return the belt to your waist.
No messaging for second person.
Third Person: <Player> yanks a verbsperformancebelt from <his/her> waist and forms it into a makeshift lasso that <he/she> <carefully/deftly> twirls above <his/her> head. When the performance is done, <he/she> returns the belt to <his/her> waist.
PULL (With Performance Headwear)	First Person: You yank a verbsperformancebelt from your waist and form it into a makeshift lasso that you <carefully/deftly> twirl above the <headwear> covering your head. When the performance is done, you return the belt to your waist.
No messaging for second person.
Third Person: <Player> yanks a verbsperformancebelt from <his/her> waist and forms it into a makeshift lasso that <he/she> <carefully/deftly> twirls above the <headwear> covering <his/her> head. When the performance is done, <he/she> returns the belt to <his/her> waist.
REMOVE	First Person: Eyes flaring, you angrily rip a verbsperformancebelt from your waist and swing it wildly above your head.
No messaging for second person.
Third Person: <Color> eyes flaring, <Player> angrily rips a verbsperformancebelt from <his/her> waist and swings it wildly above <his/her> head.
REMOVE (With Performance Shirt)	First Person: Pulling a <shirt> free, you unfasten the leather belt and pull it from your waist.
No messaging for second person.
Third Person: Pulling a <shirt> free, <Player> unfastens a verbsperformancebelt and pulls it from <his/her> waist.