Talk:Vocals skill: Difference between revisions
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Here's the distrobution chart of data I have so far. The numbers I have at the top are Charisma ratings. Feel free to fill in anything you find, and I'll transcribe it to Excel. |
Here's the distrobution chart of data I have so far. The numbers I have at the top are Charisma ratings. Feel free to fill in anything you find, and I'll transcribe it to Excel. |
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The table listing is for the LOWEST rank value (as a non-Bard) that you can get the "with only the slightest hint of difficulty" messaging with the given amount of Charisma. |
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<!-- READ THIS BEFORE EDITING THE TABLE. Feel free to correct any values where you've seen the "slightest difficulty" message lower than the value. The table commented format is as follows: Song, Charisma. So Scales, 9 is the placeholder for the lowest amount of ranks that you can play Scales at with 9 Charisma. Add your rank before the comment, but please do not delete anything between < and >, as it provides a placeholder. Thanks much, -- Herald --> |
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{| class="wikitable" |
{| class="wikitable" |
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Line 80: | Line 82: | ||
| Scales |
| Scales |
||
| <!-- Scales, 6 --> |
| <!-- Scales, 6 --> |
||
| <!-- Scales, 7 --> |
| 0<!-- Scales, 7 --> |
||
| 0<!-- Scales, 8 --> |
| 0<!-- Scales, 8 --> |
||
| <!-- Scales, 9 --> |
| 0<!-- Scales, 9 --> |
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| 0<!-- Scales, 10 --> |
| 0<!-- Scales, 10 --> |
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| 0<!-- Scales, 11 --> |
| 0<!-- Scales, 11 --> |
||
| <!-- Scales, 12 --> |
| 0<!-- Scales, 12 --> |
||
| <!-- Scales, 13 --> |
| 0<!-- Scales, 13 --> |
||
| <!-- Scales, 14 --> |
| <!-- Scales, 14 --> |
||
| <!-- Scales, 15 --> |
| <!-- Scales, 15 --> |
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Line 94: | Line 96: | ||
| <!-- Scales, 19 --> |
| <!-- Scales, 19 --> |
||
| <!-- Scales, 20 --> |
| <!-- Scales, 20 --> |
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| <!-- Scales, 21 --> |
| 0<!-- Scales, 21 --> |
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| 0<!-- Scales, 22 --> |
| 0<!-- Scales, 22 --> |
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| 0<!-- Scales, 23 --> |
| 0<!-- Scales, 23 --> |
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Line 127: | Line 129: | ||
| Arpeggios |
| Arpeggios |
||
| <!-- Arpeggios, 6 --> |
| <!-- Arpeggios, 6 --> |
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| <!-- Arpeggios, 7 --> |
| 0<!-- Arpeggios, 7 --> |
||
| 6<!-- Arpeggios, 8 --> |
| 6<!-- Arpeggios, 8 --> |
||
| <!-- Arpeggios, 9 --> |
| 0<!-- Arpeggios, 9 --> |
||
| |
| 0<!-- Arpeggios, 10 --> |
||
| 0<!-- Arpeggios, 11 --> |
| 0<!-- Arpeggios, 11 --> |
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| <!-- Arpeggios, 12 --> |
| 0<!-- Arpeggios, 12 --> |
||
| <!-- Arpeggios, 13 --> |
| 0<!-- Arpeggios, 13 --> |
||
| <!-- Arpeggios, 14 --> |
| <!-- Arpeggios, 14 --> |
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| <!-- Arpeggios, 15 --> |
| <!-- Arpeggios, 15 --> |
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Line 141: | Line 143: | ||
| <!-- Arpeggios, 19 --> |
| <!-- Arpeggios, 19 --> |
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| <!-- Arpeggios, 20 --> |
| <!-- Arpeggios, 20 --> |
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| <!-- Arpeggios, 21 --> |
| 0<!-- Arpeggios, 21 --> |
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| 0<!-- Arpeggios, 22 --> |
| 0<!-- Arpeggios, 22 --> |
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| 0<!-- Arpeggios, 23 --> |
| 0<!-- Arpeggios, 23 --> |
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Line 150: | Line 152: | ||
| <!-- Arpeggios, 28 --> |
| <!-- Arpeggios, 28 --> |
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| <!-- Arpeggios, 29 --> |
| <!-- Arpeggios, 29 --> |
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| <!-- Arpeggios, 30 --> |
| 22<!-- Arpeggios, 30 --> |
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| <!-- Arpeggios, 31 --> |
| <!-- Arpeggios, 31 --> |
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| <!-- Arpeggios, 32 --> |
| <!-- Arpeggios, 32 --> |
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Line 177: | Line 179: | ||
| 17<!-- Ditty, 8 --> |
| 17<!-- Ditty, 8 --> |
||
| <!-- Ditty, 9 --> |
| <!-- Ditty, 9 --> |
||
| |
| 22<!-- Ditty, 10 --> |
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| <!-- Ditty, 11 --> |
| <!-- Ditty, 11 --> |
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| <!-- Ditty, 12 --> |
| <!-- Ditty, 12 --> |
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Line 184: | Line 186: | ||
| <!-- Ditty, 15 --> |
| <!-- Ditty, 15 --> |
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| <!-- Ditty, 16 --> |
| <!-- Ditty, 16 --> |
||
| |
| 25<!-- Ditty, 17 --> |
||
| <!-- Ditty, 18 --> |
| <!-- Ditty, 18 --> |
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| <!-- Ditty, 19 --> |
| <!-- Ditty, 19 --> |
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| <!-- Ditty, 20 --> |
| <!-- Ditty, 20 --> |
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| <!-- Ditty, 21 --> |
| <!-- Ditty, 21 --> |
||
| |
| 25<!-- Ditty, 22 --> |
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| |
| <!-- Ditty, 23 --> |
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| <!-- Ditty, 24 --> |
| <!-- Ditty, 24 --> |
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| <!-- Ditty, 25 --> |
| <!-- Ditty, 25 --> |
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Line 197: | Line 199: | ||
| <!-- Ditty, 28 --> |
| <!-- Ditty, 28 --> |
||
| <!-- Ditty, 29 --> |
| <!-- Ditty, 29 --> |
||
| <!-- Ditty, 30 --> |
| 22<!-- Ditty, 30 --> |
||
| <!-- Ditty, 31 --> |
| <!-- Ditty, 31 --> |
||
| <!-- Ditty, 32 --> |
| <!-- Ditty, 32 --> |
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Line 231: | Line 233: | ||
| <!-- Folk, 15 --> |
| <!-- Folk, 15 --> |
||
| <!-- Folk, 16 --> |
| <!-- Folk, 16 --> |
||
| |
| 28<!-- Folk, 17 --> |
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| <!-- Folk, 18 --> |
| <!-- Folk, 18 --> |
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| <!-- Folk, 19 --> |
| <!-- Folk, 19 --> |
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| <!-- Folk, 20 --> |
| <!-- Folk, 20 --> |
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| <!-- Folk, 21 --> |
| <!-- Folk, 21 --> |
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| |
| 28<!-- Folk, 22 --> |
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| <!-- Folk, 23 --> |
| <!-- Folk, 23 --> |
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| <!-- Folk, 24 --> |
| <!-- Folk, 24 --> |
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Line 278: | Line 280: | ||
| <!-- Ballad, 15 --> |
| <!-- Ballad, 15 --> |
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| <!-- Ballad, 16 --> |
| <!-- Ballad, 16 --> |
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| |
| <!-- Ballad, 17 --> |
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| <!-- Ballad, 18 --> |
| <!-- Ballad, 18 --> |
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| <!-- Ballad, 19 --> |
| <!-- Ballad, 19 --> |
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| <!-- Ballad, 20 --> |
| <!-- Ballad, 20 --> |
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| <!-- Ballad, 21 --> |
| <!-- Ballad, 21 --> |
||
| |
| 35<!-- Ballad, 22 --> |
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| <!-- Ballad, 23 --> |
| <!-- Ballad, 23 --> |
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| <!-- Ballad, 24 --> |
| <!-- Ballad, 24 --> |
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Line 318: | Line 320: | ||
| 45<!-- Waltz, 8 --> |
| 45<!-- Waltz, 8 --> |
||
| <!-- Waltz, 9 --> |
| <!-- Waltz, 9 --> |
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| <!-- Waltz, 10 --> |
| <!-- Waltz, 10 -->44 |
||
| <!-- Waltz, 11 --> |
| <!-- Waltz, 11 --> |
||
| 42<!-- Waltz, 12 --> |
| 42<!-- Waltz, 12 --> |
||
| <!-- Waltz, 13 --> |
| <!-- Waltz, 13 --> |
||
| <!-- Waltz, 14 --> |
| <!-- Waltz, 14 --> |
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| <!-- Waltz, 15 --> |
| 42<!-- Waltz, 15 --> |
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| <!-- Waltz, 16 --> |
| <!-- Waltz, 16 --> |
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| |
| <!-- Waltz, 17 --> |
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| <!-- Waltz, 18 --> |
| <!-- Waltz, 18 --> |
||
| <!-- Waltz, 19 --> |
| <!-- Waltz, 19 --> |
||
| <!-- Waltz, 20 --> |
| <!-- Waltz, 20 --> |
||
| <!-- Waltz, 21 --> |
| <!-- Waltz, 21 --> |
||
| |
| 41<!-- Waltz, 22 --> |
||
| <!-- Waltz, 23 --> |
| <!-- Waltz, 23 --> |
||
| <!-- Waltz, 24 --> |
| <!-- Waltz, 24 --> |
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Line 365: | Line 367: | ||
| 50<!-- Lullaby, 8 --> |
| 50<!-- Lullaby, 8 --> |
||
| <!-- Lullaby, 9 --> |
| <!-- Lullaby, 9 --> |
||
| <!-- Lullaby, 10 --> |
| <!-- Lullaby, 10 -->49 |
||
| <!-- Lullaby, 11 --> |
| <!-- Lullaby, 11 --> |
||
| 50<!-- Lullaby, 12 --> |
| 50<!-- Lullaby, 12 --> |
||
| <!-- Lullaby, 13 --> |
| <!-- Lullaby, 13 --> |
||
| <!-- Lullaby, 14 --> |
| <!-- Lullaby, 14 --> |
||
| <!-- Lullaby, 15 --> |
| 49<!-- Lullaby, 15 --> |
||
| <!-- Lullaby, 16 --> |
| <!-- Lullaby, 16 --> |
||
| <!-- Lullaby, 17 --> |
| <!-- Lullaby, 17 --> |
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Line 377: | Line 379: | ||
| <!-- Lullaby, 20 --> |
| <!-- Lullaby, 20 --> |
||
| <!-- Lullaby, 21 --> |
| <!-- Lullaby, 21 --> |
||
| <!-- Lullaby, 22 --> |
| 28<!-- Lullaby, 22 --> |
||
| <!-- Lullaby, 23 --> |
| <!-- Lullaby, 23 --> |
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| <!-- Lullaby, 24 --> |
| <!-- Lullaby, 24 --> |
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Line 395: | Line 397: | ||
| <!-- Lullaby, 38 --> |
| <!-- Lullaby, 38 --> |
||
| <!-- Lullaby, 39 --> |
| <!-- Lullaby, 39 --> |
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| <!-- Lullaby, 40 --> |
| 47<!-- Lullaby, 40 --> |
||
| <!-- Lullaby, 41 --> |
| <!-- Lullaby, 41 --> |
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| <!-- Lullaby, 42 --> |
| <!-- Lullaby, 42 --> |
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Line 414: | Line 416: | ||
| 57<!-- March, 10 --> |
| 57<!-- March, 10 --> |
||
| <!-- March, 11 --> |
| <!-- March, 11 --> |
||
| <!-- March, 12 --> |
| <!-- March, 12 -->60 |
||
| 59<!-- March, 13 --> |
| 59<!-- March, 13 --> |
||
| <!-- March, 14 --> |
| <!-- March, 14 --> |
||
| <!-- March, 15 --> |
| 56<!-- March, 15 --> |
||
| <!-- March, 16 --> |
| 55<!-- March, 16 --> |
||
| <!-- March, 17 --> |
| <!-- March, 17 --> |
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| <!-- March, 18 --> |
| <!-- March, 18 --> |
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Line 442: | Line 444: | ||
| <!-- March, 38 --> |
| <!-- March, 38 --> |
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| <!-- March, 39 --> |
| <!-- March, 39 --> |
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| <!-- March, 40 --> |
| 52<!-- March, 40 --> |
||
| <!-- March, 41 --> |
| <!-- March, 41 --> |
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| <!-- March, 42 --> |
| <!-- March, 42 --> |
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Line 461: | Line 463: | ||
| <!-- Jig, 10 --> |
| <!-- Jig, 10 --> |
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| <!-- Jig, 11 --> |
| <!-- Jig, 11 --> |
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| <!-- Jig, 12 --> |
| <!-- Jig, 12 -->64 |
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| 63<!-- Jig, 13 --> |
| 63<!-- Jig, 13 --> |
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| <!-- Jig, 14 --> |
| <!-- Jig, 14 --> |
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| <!-- Jig, 15 --> |
| 63<!-- Jig, 15 --> |
||
| <!-- Jig, 16 --> |
| 62<!-- Jig, 16 --> |
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| <!-- Jig, 17 --> |
| <!-- Jig, 17 --> |
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| <!-- Jig, 18 --> |
| <!-- Jig, 18 --> |
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| 78<!-- Jig, 19 --> |
| 78*<!-- Jig, 19 --> |
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| <!-- Jig, 20 --> |
| <!-- Jig, 20 --> |
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| <!-- Jig, 21 --> |
| <!-- Jig, 21 --> |
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| <!-- Jig, 22 --> |
| <!-- Jig, 22 --> |
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| <!-- Jig, 23 --> |
| 61<!-- Jig, 23 --> |
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| <!-- Jig, 24 --> |
| <!-- Jig, 24 --> |
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| <!-- Jig, 25 --> |
| <!-- Jig, 25 --> |
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Line 511: | Line 513: | ||
| <!-- Lament, 13 --> |
| <!-- Lament, 13 --> |
||
| <!-- Lament, 14 --> |
| <!-- Lament, 14 --> |
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| <!-- Lament, 15 --> |
| 77<!-- Lament, 15 --> |
||
| <!-- Lament, 16 --> |
| <!-- Lament, 16 --> |
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| <!-- Lament, 17 --> |
| <!-- Lament, 17 --> |
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| <!-- Lament, 18 --> |
| <!-- Lament, 18 --> |
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| <!-- Lament, 19 --> |
| 88*<!-- Lament, 19 --> |
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| <!-- Lament, 20 --> |
| <!-- Lament, 20 --> |
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| <!-- Lament, 21 --> |
| <!-- Lament, 21 --> |
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| <!-- Lament, 22 --> |
| <!-- Lament, 22 --> |
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| <!-- Lament, 23 --> |
| <!-- Lament, 23 --> |
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| <!-- Lament, 24 --> |
| 75 <!-- Lament, 24 --> |
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| <!-- Lament, 25 --> |
| <!-- Lament, 25 --> |
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| <!-- Lament, 26 --> |
| <!-- Lament, 26 --> |
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Line 555: | Line 557: | ||
| <!-- Wedding, 10 --> |
| <!-- Wedding, 10 --> |
||
| <!-- Wedding, 11 --> |
| <!-- Wedding, 11 --> |
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| <!-- Wedding, 12 --> |
| 91<!-- Wedding, 12 --> |
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| <!-- Wedding, 13 --> |
| <!-- Wedding, 13 --> |
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| <!-- Wedding, 14 --> |
| <!-- Wedding, 14 --> |
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Line 561: | Line 563: | ||
| <!-- Wedding, 16 --> |
| <!-- Wedding, 16 --> |
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| <!-- Wedding, 17 --> |
| <!-- Wedding, 17 --> |
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| <!-- Wedding, 18 --> |
| 90<!-- Wedding, 18 --> |
||
| <!-- Wedding, 19 --> |
| <!-- Wedding, 19 --> |
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| <!-- Wedding, 20 --> |
| <!-- Wedding, 20 --> |
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Line 600: | Line 602: | ||
| <!-- Hymn, 8 --> |
| <!-- Hymn, 8 --> |
||
| <!-- Hymn, 9 --> |
| <!-- Hymn, 9 --> |
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| <!-- Hymn, 10 --> |
| 105<!-- Hymn, 10 --> |
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| <!-- Hymn, 11 --> |
| <!-- Hymn, 11 --> |
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| <!-- Hymn, 12 --> |
| <!-- Hymn, 12 --> |
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Line 606: | Line 608: | ||
| <!-- Hymn, 14 --> |
| <!-- Hymn, 14 --> |
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| <!-- Hymn, 15 --> |
| <!-- Hymn, 15 --> |
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| <!-- Hymn, 16 --> |
| 103<!-- Hymn, 16 --> |
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| <!-- Hymn, 17 --> |
| <!-- Hymn, 17 --> |
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| <!-- Hymn, 18 --> |
| <!-- Hymn, 18 --> |
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| <!-- Hymn, 19 --> |
| <!-- Hymn, 19 --> |
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| <!-- Hymn, 20 --> |
| 102<!-- Hymn, 20 --> |
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| <!-- Hymn, 21 --> |
| <!-- Hymn, 21 --> |
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| <!-- Hymn, 22 --> |
| <!-- Hymn, 22 --> |
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Line 647: | Line 649: | ||
| <!-- Rumba, 8 --> |
| <!-- Rumba, 8 --> |
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| 128<!-- Rumba, 9 --> |
| 128<!-- Rumba, 9 --> |
||
| <!-- Rumba, 10 --> |
| 127<!-- Rumba, 10 --> |
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| <!-- Rumba, 11 --> |
| <!-- Rumba, 11 --> |
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| <!-- Rumba, 12 --> |
| <!-- Rumba, 12 --> |
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Line 653: | Line 655: | ||
| <!-- Rumba, 14 --> |
| <!-- Rumba, 14 --> |
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| <!-- Rumba, 15 --> |
| <!-- Rumba, 15 --> |
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| <!-- Rumba, 16 --> |
| 124<!-- Rumba, 16 --> |
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| <!-- Rumba, 17 --> |
| <!-- Rumba, 17 --> |
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| <!-- Rumba, 18 --> |
| <!-- Rumba, 18 --> |
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| <!-- Rumba, 19 --> |
| <!-- Rumba, 19 --> |
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| <!-- Rumba, 20 --> |
| 122<!-- Rumba, 20 --> |
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| <!-- Rumba, 21 --> |
| <!-- Rumba, 21 --> |
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| <!-- Rumba, 22 --> |
| <!-- Rumba, 22 --> |
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Line 672: | Line 674: | ||
| <!-- Rumba, 33 --> |
| <!-- Rumba, 33 --> |
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| <!-- Rumba, 34 --> |
| <!-- Rumba, 34 --> |
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| <!-- Rumba, 35 --> |
| 119<!-- Rumba, 35 --> |
||
| <!-- Rumba, 36 --> |
| <!-- Rumba, 36 --> |
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| <!-- Rumba, 37 --> |
| <!-- Rumba, 37 --> |
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Line 693: | Line 695: | ||
| <!-- Polka, 7 --> |
| <!-- Polka, 7 --> |
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| <!-- Polka, 8 --> |
| <!-- Polka, 8 --> |
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| <!-- Polka, 9 --> |
| 148<!-- Polka, 9 --> |
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| <!-- Polka, 10 --> |
| 148<!-- Polka, 10 --> |
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| <!-- Polka, 11 --> |
| <!-- Polka, 11 --> |
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| <!-- Polka, 12 --> |
| <!-- Polka, 12 --> |
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Line 700: | Line 702: | ||
| <!-- Polka, 14 --> |
| <!-- Polka, 14 --> |
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| <!-- Polka, 15 --> |
| <!-- Polka, 15 --> |
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| <!-- Polka, 16 --> |
| 144<!-- Polka, 16 --> |
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| <!-- Polka, 17 --> |
| <!-- Polka, 17 --> |
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| <!-- Polka, 18 --> |
| <!-- Polka, 18 --> |
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| <!-- Polka, 19 --> |
| <!-- Polka, 19 --> |
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| <!-- Polka, 20 --> |
| 143<!-- Polka, 20 --> |
||
| <!-- Polka, 21 --> |
| <!-- Polka, 21 --> |
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| <!-- Polka, 22 --> |
| <!-- Polka, 22 --> |
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Line 719: | Line 721: | ||
| <!-- Polka, 33 --> |
| <!-- Polka, 33 --> |
||
| <!-- Polka, 34 --> |
| <!-- Polka, 34 --> |
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| <!-- Polka, 35 --> |
| 139<!-- Polka, 35 --> |
||
| <!-- Polka, 36 --> |
| <!-- Polka, 36 --> |
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| <!-- Polka, 37 --> |
| <!-- Polka, 37 --> |
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Line 741: | Line 743: | ||
| <!-- Battle, 8 --> |
| <!-- Battle, 8 --> |
||
| <!-- Battle, 9 --> |
| <!-- Battle, 9 --> |
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| |
|168<!-- Battle, 10 --> |
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| <!-- Battle, 11 --> |
| <!-- Battle, 11 --> |
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| <!-- Battle, 12 --> |
| <!-- Battle, 12 --> |
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Line 751: | Line 753: | ||
| <!-- Battle, 18 --> |
| <!-- Battle, 18 --> |
||
| <!-- Battle, 19 --> |
| <!-- Battle, 19 --> |
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| <!-- Battle, 20 --> |
| 163<!-- Battle, 20 --> |
||
| <!-- Battle, 21 --> |
| <!-- Battle, 21 --> |
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| <!-- Battle, 22 --> |
| <!-- Battle, 22 --> |
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Line 788: | Line 790: | ||
| <!-- Reel, 8 --> |
| <!-- Reel, 8 --> |
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| <!-- Reel, 9 --> |
| <!-- Reel, 9 --> |
||
| |
|188<!-- Reel, 10 --> |
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| <!-- Reel, 11 --> |
| <!-- Reel, 11 --> |
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| <!-- Reel, 12 --> |
| <!-- Reel, 12 --> |
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Line 798: | Line 800: | ||
| <!-- Reel, 18 --> |
| <!-- Reel, 18 --> |
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| <!-- Reel, 19 --> |
| <!-- Reel, 19 --> |
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| <!-- Reel, 20 --> |
| 183<!-- Reel, 20 --> |
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| <!-- Reel, 21 --> |
| <!-- Reel, 21 --> |
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| <!-- Reel, 22 --> |
| <!-- Reel, 22 --> |
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Line 835: | Line 837: | ||
| <!-- Elegy, 8 --> |
| <!-- Elegy, 8 --> |
||
| <!-- Elegy, 9 --> |
| <!-- Elegy, 9 --> |
||
| |
|209<!-- Elegy, 10 --> |
||
| <!-- Elegy, 11 --> |
| <!-- Elegy, 11 --> |
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| <!-- Elegy, 12 --> |
| <!-- Elegy, 12 --> |
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Line 1,582: | Line 1,584: | ||
| <!-- Concerto, 50 --> |
| <!-- Concerto, 50 --> |
||
|} |
|} |
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* This is the point where I no longer had a faint difficulty with the previous song and moved up one level. I don't know if I could have done it earlier.[[User:Caraamon|Caraamon]] 21:34, 6 April 2008 (CDT) |
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There's the table. Thanks to Tierurremj, one unknown, and Khazera for their rank input. --[[User:Herald|Herald]] 09:19, 26 March 2008 (CDT) |
There's the table. Thanks to Tierurremj, one unknown, and Khazera for their rank input. --[[User:Herald|Herald]] 09:19, 26 March 2008 (CDT) |
Latest revision as of 15:23, 4 September 2010
Humming
I've found that there's a formula that brings Charisma in. I've been keeping track of at what ranks what can be hummed among four characters, and I'll add yours to the pot if you give me a heads up and your Charisma ranks here, I can fill out the chart and figure out if my formula is accurate. --Herald 18:59, 23 March 2008 (CDT)
The formula is shaping up to be a number - (Charisma/2). I still need to figure out if it rounds up or down, but the only character that has TDPs left is the one I'm trying to prove the formula at the high end with (something like 20 ranks to go). I'll have a character match against your 13 ranks shortly. My hypothesis is that it rounds up. Anyway, here's the numbers I've got in theory now.
Song | Ranks |
---|---|
Scales | 0 |
Arpeggios | 10 |
Ditty | 21 |
Folk | 34 |
Ballad | 41 |
Here's the distrobution chart of data I have so far. The numbers I have at the top are Charisma ratings. Feel free to fill in anything you find, and I'll transcribe it to Excel.
The table listing is for the LOWEST rank value (as a non-Bard) that you can get the "with only the slightest hint of difficulty" messaging with the given amount of Charisma.
Song | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Scales | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | |||||||||||||||||||||||||||||||||||
Arpeggios | 0 | 6 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 22 | ||||||||||||||||||||||||||||||||||
Ditty | 17 | 22 | 25 | 25 | 22 | ||||||||||||||||||||||||||||||||||||||||
Folk | 30 | 29 | 28 | 28 | |||||||||||||||||||||||||||||||||||||||||
Ballad | 37 | 36 | 35 | 35 | |||||||||||||||||||||||||||||||||||||||||
Waltz | 45 | 44 | 42 | 42 | 41 | ||||||||||||||||||||||||||||||||||||||||
Lullaby | 50 | 49 | 50 | 49 | 28 | 47 | |||||||||||||||||||||||||||||||||||||||
March | 57 | 60 | 59 | 56 | 55 | 52 | |||||||||||||||||||||||||||||||||||||||
Jig | 64 | 63 | 63 | 62 | 78* | 61 | |||||||||||||||||||||||||||||||||||||||
Lament | 80 | 77 | 88* | 75 | |||||||||||||||||||||||||||||||||||||||||
Wedding | 91 | 90 | |||||||||||||||||||||||||||||||||||||||||||
Hymn | 105 | 103 | 102 | ||||||||||||||||||||||||||||||||||||||||||
Rumba | 128 | 127 | 124 | 122 | 119 | ||||||||||||||||||||||||||||||||||||||||
Polka | 148 | 148 | 144 | 143 | 139 | ||||||||||||||||||||||||||||||||||||||||
Battle | 168 | 163 | |||||||||||||||||||||||||||||||||||||||||||
Reel | 188 | 183 | |||||||||||||||||||||||||||||||||||||||||||
Elegy | 209 | 203 | |||||||||||||||||||||||||||||||||||||||||||
Serenade | 224 | ||||||||||||||||||||||||||||||||||||||||||||
Minuet | |||||||||||||||||||||||||||||||||||||||||||||
Psalm | 250 | ||||||||||||||||||||||||||||||||||||||||||||
Dirge | 277 | ||||||||||||||||||||||||||||||||||||||||||||
Gavotte | 301 | ||||||||||||||||||||||||||||||||||||||||||||
Tango | |||||||||||||||||||||||||||||||||||||||||||||
Tarantella | |||||||||||||||||||||||||||||||||||||||||||||
Bolero | |||||||||||||||||||||||||||||||||||||||||||||
Nocturne | |||||||||||||||||||||||||||||||||||||||||||||
Requiem | |||||||||||||||||||||||||||||||||||||||||||||
Fantasia | |||||||||||||||||||||||||||||||||||||||||||||
Rondo | |||||||||||||||||||||||||||||||||||||||||||||
Aria | |||||||||||||||||||||||||||||||||||||||||||||
Sonata | |||||||||||||||||||||||||||||||||||||||||||||
Concerto |
* This is the point where I no longer had a faint difficulty with the previous song and moved up one level. I don't know if I could have done it earlier.Caraamon 21:34, 6 April 2008 (CDT)
There's the table. Thanks to Tierurremj, one unknown, and Khazera for their rank input. --Herald 09:19, 26 March 2008 (CDT)