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	<title>Technical Study of Tokka (book) - Revision history</title>
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	<updated>2026-04-29T05:33:36Z</updated>
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	<entry>
		<id>https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=505532&amp;oldid=prev</id>
		<title>ASCADAIHAN at 06:46, 10 August 2019</title>
		<link rel="alternate" type="text/html" href="https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=505532&amp;oldid=prev"/>
		<updated>2019-08-10T06:46:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:46, 10 August 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 80:&lt;/td&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 80:&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;We study the skies, codify the stars, and triangulate the moons.  Despite this, our attempts to divine the future are mere reflections of a greater truth.  Our Tokka cards are but ripples on the river of Fate, and reading their meaning is as much an art as a science.  Using the knowledge in this brief text, I hope I have provided some aid in discerning the meaning behind a deal of the Tokka deck, but it is a skill that warrants refinement through use.  The best way to learn is to practice.&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;We study the skies, codify the stars, and triangulate the moons.  Despite this, our attempts to divine the future are mere reflections of a greater truth.  Our Tokka cards are but ripples on the river of Fate, and reading their meaning is as much an art as a science.  Using the knowledge in this brief text, I hope I have provided some aid in discerning the meaning behind a deal of the Tokka deck, but it is a skill that warrants refinement through use.  The best way to learn is to practice.&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Book]][[page type is::book| ]][[guild association is::&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;moon&lt;/del&gt; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mage&lt;/del&gt;| ]]&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Book]][[page type is::book| ]][[guild association is::&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Moon&lt;/ins&gt; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mage&lt;/ins&gt;| ]]&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>ASCADAIHAN</name></author>
	</entry>
	<entry>
		<id>https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=125686&amp;oldid=prev</id>
		<title>CARAAMON: moved Technical Study of Tokka, A (book) to Technical Study of Tokka (book)</title>
		<link rel="alternate" type="text/html" href="https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=125686&amp;oldid=prev"/>
		<updated>2011-03-21T09:08:12Z</updated>

		<summary type="html">&lt;p&gt;moved &lt;a href=&quot;/Technical_Study_of_Tokka,_A_(book)&quot; class=&quot;mw-redirect&quot; title=&quot;Technical Study of Tokka, A (book)&quot;&gt;Technical Study of Tokka, A (book)&lt;/a&gt; to &lt;a href=&quot;/Technical_Study_of_Tokka_(book)&quot; title=&quot;Technical Study of Tokka (book)&quot;&gt;Technical Study of Tokka (book)&lt;/a&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:08, 21 March 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>CARAAMON</name></author>
	</entry>
	<entry>
		<id>https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=125685&amp;oldid=prev</id>
		<title>CARAAMON: moved A Technical Study of Tokka (book) to Technical Study of Tokka, A (book)</title>
		<link rel="alternate" type="text/html" href="https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=125685&amp;oldid=prev"/>
		<updated>2009-07-02T23:34:39Z</updated>

		<summary type="html">&lt;p&gt;moved &lt;a href=&quot;/A_Technical_Study_of_Tokka_(book)&quot; class=&quot;mw-redirect&quot; title=&quot;A Technical Study of Tokka (book)&quot;&gt;A Technical Study of Tokka (book)&lt;/a&gt; to &lt;a href=&quot;/Technical_Study_of_Tokka,_A_(book)&quot; class=&quot;mw-redirect&quot; title=&quot;Technical Study of Tokka, A (book)&quot;&gt;Technical Study of Tokka, A (book)&lt;/a&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:34, 2 July 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>CARAAMON</name></author>
	</entry>
	<entry>
		<id>https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=125684&amp;oldid=prev</id>
		<title>Maintenance script at 19:47, 5 June 2009</title>
		<link rel="alternate" type="text/html" href="https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=125684&amp;oldid=prev"/>
		<updated>2009-06-05T19:47:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;amp;diff=125684&amp;amp;oldid=125683&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Maintenance script</name></author>
	</entry>
	<entry>
		<id>https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=125683&amp;oldid=prev</id>
		<title>Maintenance script at 03:27, 5 June 2009</title>
		<link rel="alternate" type="text/html" href="https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=125683&amp;oldid=prev"/>
		<updated>2009-06-05T03:27:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:27, 4 June 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-empty diff-side-deleted&quot;&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==A Technical Study of Tokka==&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Prophetic Reflections ==&lt;/div&gt;&lt;/td&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-empty diff-side-added&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
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  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;By Fateweaver Diansine Marindra&#039;&#039;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;By Fateweaver Diansine Marindra&#039;&#039;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Maintenance script</name></author>
	</entry>
	<entry>
		<id>https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=125682&amp;oldid=prev</id>
		<title>Maintenance script: Added Tokka Book</title>
		<link rel="alternate" type="text/html" href="https://elanthipedia.play.net/index.php?title=Technical_Study_of_Tokka_(book)&amp;diff=125682&amp;oldid=prev"/>
		<updated>2009-06-05T03:27:17Z</updated>

		<summary type="html">&lt;p&gt;Added Tokka Book&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;==Prophetic Reflections ==&lt;br /&gt;
 &lt;br /&gt;
&amp;#039;&amp;#039;By Fateweaver Diansine Marindra&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
===Introduction:===&lt;br /&gt;
&lt;br /&gt;
The practice of divination is old.  Very old.  Long have our&lt;br /&gt;
ancestors sought tools with which to reveal the patterns of fate.&lt;br /&gt;
Many methods have evolved since the beginning of history, each&lt;br /&gt;
according to the predilection of those attempting to see what&lt;br /&gt;
others could not.  Wandering hunter-gatherers saw the future in&lt;br /&gt;
the chance tumbling of handcarved bones, while scholars drafted&lt;br /&gt;
charts to track the progress of stars across the sky.  These&lt;br /&gt;
things were not for my people, gamblers, singers, and gypsies that&lt;br /&gt;
we were.&lt;br /&gt;
&lt;br /&gt;
In every throw of the dice or deal of the deck, the path of your&lt;br /&gt;
fate branches many times.  The dice tumble; the cards are shuffled&lt;br /&gt;
and cut.  This is fate.  We do not control the dice or impose our&lt;br /&gt;
will over the cards.  We merely travel along for the ride and read&lt;br /&gt;
the pips as they lie.&lt;br /&gt;
&lt;br /&gt;
It is in this way that those who follow Fortune&amp;#039;s Path came to&lt;br /&gt;
devise their preferred method of divining.  From our tradition of&lt;br /&gt;
game arose the Tokka deck.  It is hard to say precisely when the&lt;br /&gt;
practice of Tokka originated, but the idea of laying illustrated&lt;br /&gt;
cards in patterns was a natural evolution of our way of life.&lt;br /&gt;
&lt;br /&gt;
It is unsurprising, then, that Tokka has played an important role&lt;br /&gt;
in our history.  Biographies of talented Gypsies reference their&lt;br /&gt;
adroit understanding of Tokka and few tales touch on the Unbound&lt;br /&gt;
without mentioning a deck in some way.  Perhaps what is sur-&lt;br /&gt;
prising, however, is the dearth of material discussing their use.&lt;br /&gt;
Whether this arises from our habits or some other, more nefarious,&lt;br /&gt;
cause is difficult to say, but nevertheless it is something that&lt;br /&gt;
warrants correction.&lt;br /&gt;
&lt;br /&gt;
So it is that this document was begun.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===The Cards===&lt;br /&gt;
&lt;br /&gt;
If there is one detail on the composition of a Tokka deck that is&lt;br /&gt;
common knowledge, it is this: no two decks are the same.  How,&lt;br /&gt;
then, does one even begin to go about categorizing their makeup? &lt;br /&gt;
Well, the truth is that most decks actually have much in common,&lt;br /&gt;
even if the exact selection of cards is varied.  To begin with,&lt;br /&gt;
all Tokka cards may be categorized into three basic types:&lt;br /&gt;
Portents, Avatars, and Taisialaen.&lt;br /&gt;
&lt;br /&gt;
When most people think of Tokka cards, they likely envision&lt;br /&gt;
Portents.  These depict an item or a setting, like The Keep, The&lt;br /&gt;
Web of Fate, or The Silver Scroll.  A Portent is a place or&lt;br /&gt;
situation, or something you must handle.  In the grand scheme of&lt;br /&gt;
fate, Portents do not control where you will go, but they control&lt;br /&gt;
where you will start -- what you have to work with, if you will. &lt;br /&gt;
Powerful Portents suggest predictions of great impact.&lt;br /&gt;
&lt;br /&gt;
Avatars do not detail places, instead presenting an image repre-&lt;br /&gt;
senting a person.  The details of the portrait are frequently&lt;br /&gt;
trivial, but the card will typically portray a particular race or&lt;br /&gt;
a profession.  Some Avatars you might find are The Dwarf, The&lt;br /&gt;
Minstrel, or The Grinning Rogue.  These cards often illuminate &lt;br /&gt;
the role of the individual in a prediction.  It is important to&lt;br /&gt;
remember that while we cannot often control our fate, we may&lt;br /&gt;
sometimes determine when we meet it.&lt;br /&gt;
&lt;br /&gt;
Lastly, Taisiala is a word that means &amp;quot;Sky Jewel&amp;quot; in Gamgweth. &lt;br /&gt;
Taisialaen are painted with images of constellations, occasion-&lt;br /&gt;
ally connected with lines to facilitate audience appreciation. &lt;br /&gt;
The stars are a familiar sight to most students of divination, so&lt;br /&gt;
it should come as little surprise that Taisialaen are commonly&lt;br /&gt;
interpreted to represent the role of fate itself.  Taisialaen&lt;br /&gt;
have the potential to sway the very outcome of your prediction&lt;br /&gt;
itself, hinting at dire consequences or providing insight into&lt;br /&gt;
the nature of your reading.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===The Spread===&lt;br /&gt;
&lt;br /&gt;
Rarely do cards convey meaningful insight alone.  One may draw a&lt;br /&gt;
powerful Portent from the deck, say, the Jewel of Night.   Fre-&lt;br /&gt;
quently an ominous sign, yet sometimes associated with wealth, the&lt;br /&gt;
card cannot be put into perspective unless we have a frame of&lt;br /&gt;
reference.  In order to position the cards in a meaningful fash-&lt;br /&gt;
ion, we lay them into what is commonly referred to as a Spread. &lt;br /&gt;
The Spread has long been a subject of experimentation for seers of&lt;br /&gt;
all ilks, but over the years it has become clear that all Spreads&lt;br /&gt;
require a minimum number of cards to consistently convey output of&lt;br /&gt;
value.  Over time, these required positions came to be known as&lt;br /&gt;
The Thread, The Path, and The Terminus.&lt;br /&gt;
&lt;br /&gt;
The Thread is always dealt first of the three, as it governs the&lt;br /&gt;
here and now.  As our observations of the heavens give us insight&lt;br /&gt;
into the strands of fate being woven around us, so does this&lt;br /&gt;
knowledge flow into the dealing of The Thread.  The insight we&lt;br /&gt;
receive is born of the strength of this card.  Because of their&lt;br /&gt;
nature and immediacy, Portents signify the strongest influence&lt;br /&gt;
when laid into this position.&lt;br /&gt;
&lt;br /&gt;
Next, we play The Path.  Simply put, The Path tells us how we get&lt;br /&gt;
where we&amp;#039;re going.  It doesn&amp;#039;t tell us what we&amp;#039;ll find when we&lt;br /&gt;
arrive, but it represents the route we take.  Frequently, the&lt;br /&gt;
astrologer will look to The Path for guidance on how long the road&lt;br /&gt;
to fortune stretches.  The more powerful the influence, the longer&lt;br /&gt;
this particular Thread extends.  Common convention is to attribute&lt;br /&gt;
to the Avatar the most weight in The Path position.&lt;br /&gt;
&lt;br /&gt;
Finally The Terminus is drawn.  The Terminus is so named for its&lt;br /&gt;
severe role in determining the nature of the reading.  The Term-&lt;br /&gt;
inus shows you where this Thread of fate will end.  We often use&lt;br /&gt;
The Terminus to show us what area of life a reading refers to. &lt;br /&gt;
An inverted Endless Seas might make one think twice about taking a&lt;br /&gt;
swim!&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Kismet Cards===&lt;br /&gt;
&lt;br /&gt;
Not all Tokka dealers restrict themselves to three card spreads,&lt;br /&gt;
however.  Sometimes the reason might be appearance.  A paying&lt;br /&gt;
customer wants to believe their future is more complex than three&lt;br /&gt;
cards, after all.  Usually, though, supplementary cards are dealt&lt;br /&gt;
to provide perspective.  This document lacks the space for a full&lt;br /&gt;
discussion of all spreads and the myriad possible arrangements of&lt;br /&gt;
additional cards, so I will attempt to generalize for the sake of&lt;br /&gt;
practicality.&lt;br /&gt;
&lt;br /&gt;
Cards played prior to the primary spread are referred to as Kismet&lt;br /&gt;
cards.  In some configurations there are definite positions for&lt;br /&gt;
both Major and Minor Kismet cards, but my experience has been that&lt;br /&gt;
the difference between these may be somewhat cosmetic.  It is&lt;br /&gt;
difficult to say.  At any rate, Kismet cards represent an attempt&lt;br /&gt;
by the dealer to provide additional context for the subsequent&lt;br /&gt;
prediction.  This is not without danger.&lt;br /&gt;
&lt;br /&gt;
For every Kismet card you play, you heighten your ability to&lt;br /&gt;
understand the outcome, but you also risk disrupting the results. &lt;br /&gt;
A powerful Portent may significantly impact the turn of The&lt;br /&gt;
Thread, while the appropriate Taisiala might prove to be a boon to&lt;br /&gt;
your Terminus.  The effects are somewhat poorly understood, but&lt;br /&gt;
scholars of Tokka have observed an occasional correlation between&lt;br /&gt;
the content of Kismet cards and the outcome of The Thread, The&lt;br /&gt;
Path, and The Terminus.&lt;br /&gt;
&lt;br /&gt;
Studies are divided as to the explanation for this.  One postulate&lt;br /&gt;
is that Kismet cards merely reflect an outcome already predeter-&lt;br /&gt;
mined.  If you play The Golden Moon as a Kismet card and proceed&lt;br /&gt;
to finish a prediction with a powerful result, then perhaps the&lt;br /&gt;
reason The Golden Moon was played as a Kismet card was merely to&lt;br /&gt;
clarify the event already destined to happen.  Others theorize&lt;br /&gt;
that the Kismet cards actually serve as a cosmic wrench in the&lt;br /&gt;
works, providing additional insight but also altering the course&lt;br /&gt;
of events.  Perhaps the random draw of The Golden Moon actually&lt;br /&gt;
served to strengthen the result, consequently reflected by an&lt;br /&gt;
appropriate card in The Thread!  As this is roughly akin to the&lt;br /&gt;
predestination versus free will debate, it continues to be hotly&lt;br /&gt;
contested.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Inflection, Inversion, and Miscellanea===&lt;br /&gt;
&lt;br /&gt;
The above text is a great simplification of the Tokka reading&lt;br /&gt;
process.  Shades of meaning alter the effect of every card, while&lt;br /&gt;
the orientation of placement can wholly reverse the means of&lt;br /&gt;
interpretation.  I cannot discuss every possibility in this&lt;br /&gt;
document, but I will endeavor to outline the most common.&lt;br /&gt;
&lt;br /&gt;
Inflection is a term used to describe the connotation of a card. &lt;br /&gt;
The typical practice is to label them merely as good, bad, or&lt;br /&gt;
neutral, though some prefer more colorful terms.  I find it appro-&lt;br /&gt;
priate to think of inflection as working either in concert or at&lt;br /&gt;
odds with the desired thread of fate.  The practical effect of&lt;br /&gt;
inflection is to either resist or encourage a certain aspect of&lt;br /&gt;
the interpretation.&lt;br /&gt;
&lt;br /&gt;
For example, The Valley of Mist is frequently seen as a foreboding&lt;br /&gt;
sign and the Fount of Spirit a positive one.  Both of these&lt;br /&gt;
cards are Portents and would suggest powerful meaning when played&lt;br /&gt;
in The Thread.  In a reading of good omen, the Fount of Spirit&lt;br /&gt;
would be even more influential, while the Valley of Mist less so.&lt;br /&gt;
The negative inflection of Valley of Mists drives the effect of&lt;br /&gt;
the prediction away from what is desired.  Conversely, if the&lt;br /&gt;
prediction boded poorly, the Valley of Mists would increase its&lt;br /&gt;
potency, while the Fount of Spirit would diminish the signifi-&lt;br /&gt;
cance.  All in all, this effect is somewhat subtle, and a negative&lt;br /&gt;
Portent will still frequently have more effect in The Thread than&lt;br /&gt;
a neutral Taisiala on a beneficial reading.&lt;br /&gt;
&lt;br /&gt;
Inversion is another phenomenon the skilled Tokka dealer learns to&lt;br /&gt;
interpret.  Identifying inversion is easy: the card is played&lt;br /&gt;
upside down.  The effect of this on the outcome is often quite&lt;br /&gt;
striking.  Inversion in The Thread and The Path will completely&lt;br /&gt;
reverse the scale of the effect.  A powerful Avatar played for The&lt;br /&gt;
Thread would have quite little influence, while the same Avatar&lt;br /&gt;
inverted would be quite potent.  Inversion also reverses the&lt;br /&gt;
effect of inflection, so those negative cards may still bear&lt;br /&gt;
positive results when inverted.&lt;br /&gt;
&lt;br /&gt;
Inversion also strongly reflects the final outcome of the reading.&lt;br /&gt;
In the event that no inversion occurs, a reading will almost&lt;br /&gt;
always be beneficial.  If The Terminus inverts, however, the omen&lt;br /&gt;
is less positive.  Sometimes other arrangements are cause for&lt;br /&gt;
concern as well.  For example, inversion of both The Thread and&lt;br /&gt;
The Path rarely bodes well, but an inverted Terminus can count-&lt;br /&gt;
eract that.  As you can see, the effect of the Spread must be&lt;br /&gt;
taken as a whole and can rarely be divined from one card alone.&lt;br /&gt;
&lt;br /&gt;
Lastly, there is the subject of individual card potency.  Within a&lt;br /&gt;
given category of cards, we occasionally will refer to some of&lt;br /&gt;
them as &amp;quot;weak&amp;quot; or some as &amp;quot;powerful.&amp;quot;  This refers to the card&amp;#039;s&lt;br /&gt;
potency.  Some scholars describe a finely graded scale, but I&amp;#039;ve&lt;br /&gt;
found little practical value in dividing a category into more than&lt;br /&gt;
three parts.  By identifying which of your cards have a weak,&lt;br /&gt;
moderate, or strong influence, you should be able to interpret&lt;br /&gt;
readings with adequate refinement.  Below are some general guide-&lt;br /&gt;
lines as to how to do that.&lt;br /&gt;
&lt;br /&gt;
Avatars: An accepted method of delineating Avatar potency is to&lt;br /&gt;
arrange them by the amount of control that image might have had in&lt;br /&gt;
determining its fate.  For example, The Dwarf has slim chance to&lt;br /&gt;
elect another race, while The Minstrel was more able to choose his&lt;br /&gt;
destination.  A qualified profession like The Thief of Hearts is&lt;br /&gt;
more potent still.  Negative or positively inflected avatars are&lt;br /&gt;
usually easy to pick out as well, as their expression will often&lt;br /&gt;
reflect their influence appropriately.&lt;br /&gt;
&lt;br /&gt;
Portents: The potency of Portents is understood to scale with the&lt;br /&gt;
scope of the Portent.  Something that might affect only one&lt;br /&gt;
person, such as The Locked Door, is understood to represent a weak&lt;br /&gt;
influence, while a Portent like The Dawn is much more universal&lt;br /&gt;
and thus represents a powerful effect.  Inflection of Portents&lt;br /&gt;
is somewhat more intangible, but can usually be discerned through&lt;br /&gt;
the connotation of the image.  The Crypt is obviously a less&lt;br /&gt;
positive sign than The Stellar Stairway.&lt;br /&gt;
&lt;br /&gt;
Taisialaen:  These require the most study to accurately identify.&lt;br /&gt;
We shall begin with inflection, as it is most simply understood.&lt;br /&gt;
The majority of our constellations take the forms of images&lt;br /&gt;
representing aspects of our deities.  These aspects, frequently&lt;br /&gt;
described as light, dark, or neutral, correspond in turn with the&lt;br /&gt;
positive, negative, and neutral inflections.  The Centaur, as a&lt;br /&gt;
dark aspect sign, has a negative inflection, while The Dove would&lt;br /&gt;
have a positive inflection.&lt;br /&gt;
&lt;br /&gt;
As for the potency of the card, it seems to run parallel to the&lt;br /&gt;
complexity of the constellation.  This is not a precise measure by&lt;br /&gt;
any means, and only holds within a given inflection.  For example,&lt;br /&gt;
The Nightingale is rarely taught before The Cat, but The Cat is a&lt;br /&gt;
much more potent Taisiala, being one of the more advanced neutral&lt;br /&gt;
Taisialaen.  Conversely, The Dolphin is an extremely potent Taisi-&lt;br /&gt;
ala, despite being easier to learn than The Viper or The Shark,&lt;br /&gt;
which are much weaker in influence.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Conclusion===&lt;br /&gt;
&lt;br /&gt;
Consider The Thread, The Path, and The Terminus as houses for&lt;br /&gt;
basic meaning.  The Kismet cards provide additional insight with&lt;br /&gt;
additional risk.  Portents, Avatars, and Taisialaen each govern an&lt;br /&gt;
aspect of the reading, corresponding to the three positions above. &lt;br /&gt;
When played in their position of strength, they convey more&lt;br /&gt;
powerful meaning.  When played as Kismet cards, they heighten your&lt;br /&gt;
understanding of a particular aspect of the reading.&lt;br /&gt;
&lt;br /&gt;
We study the skies, codify the stars, and triangulate the moons.&lt;br /&gt;
Despite this, our attempts to divine the future are mere reflec-&lt;br /&gt;
tions of a greater truth.  Our Tokka cards are but ripples on the&lt;br /&gt;
river of Fate, and reading their meaning is as much an art as a&lt;br /&gt;
science.  Using the knowledge in this brief text, I hope I have&lt;br /&gt;
provided some aid in discerning the meaning behind a deal of the&lt;br /&gt;
Tokka deck, but it is a skill that warrants refinement through&lt;br /&gt;
use.  The best way to learn is to practice.&lt;br /&gt;
&lt;br /&gt;
[[Category:Book]][[page type is::book| ]][[guild association is::moon mage| ]]&lt;/div&gt;</summary>
		<author><name>Maintenance script</name></author>
	</entry>
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